René Magritte


Jeune fille mangeant un oiseau (Le Plaisir). 1927. Oil on canvas. 74 x 97 cm. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany



Intermission. 1927/28. Oil on canvas. 114.3 x 161 cm. Private collection.



The Reckless Sleeper. 1927. Oil on canvas. 116 x 81 cm. Tate Gallery, London, UK

René Magritte


L'Invention de la vie. 1928. Oil on canvas. 81 x 116 cm. Zwirner & Wirth, NY, USA



La Lumière des coincidence. 1933. Oil on canvas. 60 x 73 cm. The Dallas Museum of Art, Dallas, TX, USA.



The Giantess. 1929/30. Watercolor on paper, cardboard and canvas. 54 x 73 cm. Museum Ludwig, Cologne, Germany.

René Magritte


La Condition humaine. 1933. Oil on canvas. 100 x 81 cm. The National Gallery of Art, Washington, DC, USA



Black Magic. 1933/34. Oil on canvas. 73 x 54.4 cm. Musée Royaux des Beaux-Arts, Brussels, Belgium



Collective Invention. 1934. Oil on canvas. 73.5 x 97.5 cm. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany

René Magritte


The Lovers. 1928. Oil on canvas. 54.2 x 73 cm. Private collection



The Acrobat's Exercises. 1928. Oil on canvas. 116 x 80.8 cm. Staatsgalerie Moderner Kunst, Munich, Germany.



L'Avenir des statues. 1932. Oil on plâtre. 33.5 x 16.5 x 19 cm. Wilhelm Lehmbruck Museum, Duisbourg, Germany

Vincent van Gogh

Vincent van Gogh hakkindaki türkce yazilara bu adresten ulasabilirsiniz
Vincent van Gogh

Vincent van Gogh un diger resimleri sanal resimgalerisinde sergilenmektedir görmek isterseniz buraya tiklayin

Vincent van Gogh

(1853-1890)



On March 30, 1853 a boy was born to the family of a Dutch village vicar, Theodorus van Gogh (1822-1885) and his wife Anne Cornelia, nèe Carbentus (1819-1907). A year before, exactly the same day, another boy was born to the family, he died, and now the new-born received his name: Vincent Willem van Gogh.
After getting school education, van Gogh started his career as a picture salesman: in The Hague (1869) he entered the branch office of the Paris art dealer Goupil & Cie, founded originally by his uncle Vincent. As an agent of the company he worked in its branches in Brussels (1873), London (1873), Paris (1875). But his personal disappointment increased and he left Goupil.
Van Gogh tried himself as a teacher in Ramsgate near London (April-December 1876), then he worked as an apprentice lay preacher and wanted to devote his life to evangelization of the poor. In 1878 Vincent convinced his father of his religious vocation and in August began a three-month course in preaching in Evangelist school in Laeken, near Brussels. At school he was considered unsuitable for the lay-preaching profession. But he persistently followed his inclination and went to Borinage, the Belgian coal mining area close to the French border. There, living in extreme poverty, he visited sick people and read the Bible to the miners.
In 1879 Vincent got permission to work for 6 months as a lay preacher in Borinage. But his involvement in the plight of the poor irritated his superiors, and his contract was not extended under the pretext that his rhetorical talents were insufficient. He continued to work without any payment until July 1880. In Borinage Vincent experienced a period of deep personal crisis, which was to mold his later life. While in Borinage he drew much, made sketches of the miners’ environment. Meanwhile his four-years younger brother, Theo ((1857-1891), began to work at Goupil’s in Paris and started to support Vincent financially, he also encouraged Vincent in his wish to become an artist.


Beach with Figures and Sea with a Ship. August 1882. Oil on paper on cardboard. Vincent van Gogh Foundation, Rijksmuseum Vincent van Gogh, Amsterdam, the Netherlands.



The State Lottery Office. September 1882. Watercolor. Vincent van Gogh Foundation, Rijksmuseum Vincent van Gogh, Amsterdam, the Netherlands



Fisherman with Sou'wester. January 1883. Black chalk and ink. Rijksmuseum Kröller-Müller, Otterlo, Netherlands.

Vincent van Gogh


The Loom. May 1884. Oil on canvas. Rijksmuseum Kröller-Müller, Otterlo, Netherlands



Still Life with Four Jugs. November 1884. Oil on canvas. Rijksmuseum Kröller-Müller, Otterlo, Netherlands.



A Peasant Woman in White Cap. May 1885. Oil on canvas. Rijksmuseum Kröller-Müller, Otterlo, Netherlands.

Vincent van Gogh


Peasant Man and Woman Planting Potatoes. April 1885. Oil on canvas. Kunsthaus Zürich, Zürich, Switzerland



Autumn Landscape with Four Trees. November 1885. Oil on canvas. Rijksmuseum Kröller-Müller, Otterlo, Netherlands



Terrace of the Cafè "La Guinguuette". October 1886. Oil on canvas. Musée d'Orsay, Paris, France

Vincent van Gogh


In the Jardin du Luxembourg. 1886. Oil on canvas. Sterling and Francine Clark Art Institute, Williamstown, MA, USA.



View of Paris from Montmartre. 1886. Oil on canvas. Kunstmuseum, Öffentliche Kunstsammlung Basel, Basle.



ishing in Spring, Pont de Clichy. 1887. Oil on canvas. Art Institute of Chicago, Chicago, IL, USA

Vincent van Gogh


Japonaiserie: Plum tree in Bloom (after Hiroshige). September-October 1887. Vincent van Gogh Foundation, Rijksmuseum Vincent van Gogh, Amsterdam, the Netherlands.



Vase with Daisies and Anemones. Summer 1887. Oil on canvas. Rijksmuseum Kröller-Müller, Otterlo, Netherlands.



Twelve Sunflowers in a Vase. August 1888. Oil on canvas. Bayerische Staatsgemäldesammlungen, Neue Pinakothek, Munich, Germary

Joan Miró

Joan Miró hakkinda türkce yazilara bu adresten ulasabilirsiniz
Joan Miró

Joan Miro nun diger resimleri sanal resimgalerisinde sergilenmektedir görmek isterseniz buraya tiklayin

Joan Miró
(1893-1983)


Joan Miró Ferra was born on April 20, 1893 in Barcelona, into the family of a goldsmith and watchmaker. Miró started drawing classes at the age of seven, but later yielding to his parents’ insistence to receive a decent profession took business classes and became a book-keeper. Simultaneously, in 1907-10 Joan Miró studied art in the academy La Escuela de la Lonja in Barcelona in the class of the landscapist Modesto Urgell Inglada and professor of decorative and applied arts José Pasco Merisa. In 1912-15, he studied in the private academy of Francese D’A. Galí Fabra. In 1918, together with some like-minded friends Miró founded “Agrupació Courbet”, a group of young artists who opposed themselves to conservative traditions in Catalan art. In his works of 1913-17 the most important are the influences of Cézanne and the Fauvists: objects are close to each other and shine with bright and broken colors; striped patterns make up a kind of decorative ornament: Still Life with Rose, Portrait of E. C. Ricart, Portrait of V. Nubiola, Prades, the Village, Ciurana, the Path.


Prades, the Village. 1917. Oil on canvas. 65 x 72.5 cm. The Solomon R. Guggebheim Museum, New York, NY, USA.



Ciurana, the Path. 1917. Oil on canvas. 60 x 73 cm. Private collection