Sanat tarihi hakkinda türkce yazilara bu adresten ulasabilirsiniz
Sanat Tarihi

Art History
Art history development and stylistic contexts, i.e. is the academic study of objects of art in their historicalgenre, design, format, and look.[1] Moreover, art history generally is the research of artists and their cultural and social contributions.[2]
As a term, Art history (also history of art) encompasses several methods of studying the visual arts; in common usage referring to the study of works of art and architecture. The definition is, however, wide-ranging, with aspects of the discipline overlapping upon art criticism and art theory. Ernst Gombrich observed that "the field of art history [is] much like Caesar's Gaul, divided in three parts inhabited by three different, though not necessarily hostile tribes: (i) the connoisseurs, (ii) the critics, and (iii) the academic art historians".[3] Works of art criticism and of art theory frequently have been the pivots upon which the understanding of art history has turned.
As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style, or sanctioning an entire style or movement; and art theory, which is concerned with the fundamental nature of art, and is more related to aesthetics and determining the essence of beauty, i.e. artistic appeal. Technically, art history is not these things, because the art historian uses historical method to answers the questions: How did the artist come to create the work? Who were the patrons? Who were his or her teachers? Who were his or her disciples? What historical forces shaped the artist's oeuvre and How did he or she and the creation, in turn, affect the course of artistic, political, and social events?

Michelangelo nun eserleri

Michelangelo hakkinda türkce yazilara bu adresten ulasabilirsiniz
Michelangelo

Michelangelo

(1475-1564)



Michelangelo is certainly the most representative artist of the XVI century: a sculptor, painter, architect, and poet. He lived to a great age, and enjoyed great fame in his lifetime. Titian, and Venetian painting generally, was very much influenced by his vision, and he is responsible in large measure for the development of Mannerism.
Michelangelo di Ludovico di Lionardo di Buonarroti Simoni was born in 1475; at Caprese, in Casentino. His family Buonarroti Simoni, are mentioned in the Florentine chronicles as early as the XII century. In 1488, at the age of 13, he entered the workshop of Domenico Ghirlandaio. Thus he came under the influence of Masaccio, because his teacher, Ghirlandaio, not only looked to Masaccio for ideas on religious scenes, but actually imitated certain elements of his designs. After less than a year he moved to the academy set up by Lorenzo the Magnificent. From 1489 till 1492, he lived in the Palazzo Medici in Via Larga, where he could study “antique and good statues” and could meet the sophisticated humanists and writers of the Medici circle.



Last judgment,1537-41,fresco 1370x1220 cm
Cappella sistina,Vatican



Leda and the swan,305x407 cm
Britush museum,London

Kaynak;abc gallery

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